Review from metalunderground.com
The Fathomless Deep’s debut self titled
release is a medley of songs that tend to stick with the listener long
after they’ve walked away from it. Perhaps somewhat untypical for a
Finnish band, these guys have taken a far lean to the more avante-garde
aspect of metal; reminiscent of bands like Unexpect, while still being
brutal enough to be considered death metal.
One of the really special aspects about the album is the diversity of
the musicians. The vocals are for the most part quite harsh, ranging
from highs to more growling, dirty lows. A personal favorite off of the
album is the track “Beneath Cursed Waters,” where we are treated with
duets between epic clean vocals that battle the seas on waves of growls
that threaten to bury everything in their way.
The Fathomless Deep has managed to create a completely unique
compilation, and one that tends to shift styles in almost every song.
The musicians have given their instruments personalities that differ and
change just as our own moods do. At times it seems as if the guitars
are having arguments with each other and at these moments the violin
steps in to make peace, while the vocals authoritatively and effectively
conquer and force submission from all.
Combined with the soaring notes of the melancholy, yet at times enraged,
violin, the guitars manage to hold their own and still be leading
instruments. Unlike many violinists who are content to be in the
background, the composer here has made violin melodies an integral part
in every song. This album will appeal to listeners fond of changing it
up a bit, those of us who are tired of the same few recycled riffs and
overused genres, from this refreshingly creative group.
Highs: A unique metal album that is full of variety.
Lows: No real lows for me, though listeners of more standard genres of metal might feel lost with this release.
Bottom line: The
Fathlomless Deep will be highly appealing to fans of death metal, as
well as those who appreciate avant-garde metal. This album will become a
regular listen for ears that are prepared for it.
official website : thefathomlessdeep
Показват се публикациите с етикет Avant-garde. Показване на всички публикации
Показват се публикациите с етикет Avant-garde. Показване на всички публикации
сряда, 22 февруари 2012 г.
събота, 28 януари 2012 г.
Dodecahedron - "Dodecahedron" Review
As the original crop of black metal
legends fade out or move on to new sounds, it’s up to a new generation
of grim musicians to keep the banner waving. While many have merely
imitated the sound, just enough of them actually hold true to the ideals
of the genre and take the style further into new territory.
Simultaneously jarring and harmonious, the debut offering from Dutch act
Dodecahedron runs along the razor thin edge between two worlds and
strikes all the right chords to be a properly disturbing black metal
release that isn’t overly derivative.
The self-titled effort is billed as post-black metal, and that’s a nebulous enough term that it may or may not actually fit the music. Anyone seeing that particular genre identifier definitely shouldn’t think they are in for an ambient or atmospheric trip along the lines of something like Falloch, however. There may be some calmer sections here and there, but “Dodacehedron” is pretty uniformly crushing for its duration.
If the music was to be compared to the output of any other band, it would have to be Deathspell Omega, as the album is strongly in the same sort of spirit as the “Paracletus” release, even if the delivery ends up a bit different. The focus is on amazingly heavy yet completely discordant sounds, but there’s still an underlying melody that occasionally comes to the forefront. When they do appear, the melodic aspects don’t disappoint and are appropriately unhinged and bizarre, of course. Dodecahedron’s vocalist spits out his screams and shrieks like death curses at his enemies, as this is straight up spiteful music with a grudge that just won’t let go. Alternating between frantic blast beating black metal and music with a more measure pace that goes past eerie into frankly unsettling territory, these songs are a constant assault on the senses that can leave a listener disoriented.
“Dodecahedron” creates the sort of feeling that one can’t help but imagine was experienced by the first terrified religious parent to be exposed to unholy black metal in all its fury. This is music for people who like to be actively disturbed by their metal. These guys have a direct line to the darkness of the human soul, and they aren’t afraid to share it.
Highs: A tight balancing act between totally discordant and eerily melodic, all while being massively heavy.
Lows: The space themed interlude track doesn't perfectly fit the mood of the rest of the album.
Bottom line: Massively heavy and slightly disturbing black metal that hits the right balance of discordance and harmony.
"'Dodecahedron' creates the sort of feeling that one can’t help but imagine was experienced by the first terrified religious parent to be exposed to unholy black metal in all its fury."
The self-titled effort is billed as post-black metal, and that’s a nebulous enough term that it may or may not actually fit the music. Anyone seeing that particular genre identifier definitely shouldn’t think they are in for an ambient or atmospheric trip along the lines of something like Falloch, however. There may be some calmer sections here and there, but “Dodacehedron” is pretty uniformly crushing for its duration.
If the music was to be compared to the output of any other band, it would have to be Deathspell Omega, as the album is strongly in the same sort of spirit as the “Paracletus” release, even if the delivery ends up a bit different. The focus is on amazingly heavy yet completely discordant sounds, but there’s still an underlying melody that occasionally comes to the forefront. When they do appear, the melodic aspects don’t disappoint and are appropriately unhinged and bizarre, of course. Dodecahedron’s vocalist spits out his screams and shrieks like death curses at his enemies, as this is straight up spiteful music with a grudge that just won’t let go. Alternating between frantic blast beating black metal and music with a more measure pace that goes past eerie into frankly unsettling territory, these songs are a constant assault on the senses that can leave a listener disoriented.
“Dodecahedron” creates the sort of feeling that one can’t help but imagine was experienced by the first terrified religious parent to be exposed to unholy black metal in all its fury. This is music for people who like to be actively disturbed by their metal. These guys have a direct line to the darkness of the human soul, and they aren’t afraid to share it.
Highs: A tight balancing act between totally discordant and eerily melodic, all while being massively heavy.
Lows: The space themed interlude track doesn't perfectly fit the mood of the rest of the album.
Bottom line: Massively heavy and slightly disturbing black metal that hits the right balance of discordance and harmony.
"'Dodecahedron' creates the sort of feeling that one can’t help but imagine was experienced by the first terrified religious parent to be exposed to unholy black metal in all its fury."
Абонамент за:
Публикации (Atom)